
CBSE Board Syllabus (2011)
Class : 9th & 10th
MUSIC (A)
Any one of the following can be offered: (Hindustani Carnatic)
1. Hindustani Music-Vocal
2. Hindustani Music Melodic Instruments
3. Hindustani Music Percussion Instruments
4. Carnatic Music-Vocal
5. Carnatic Music-Melodic Instruments
6. Carnatic Music-Percussion Instruments
THEY
1. An outline histy of Indian Music
2. Definition of the folllowing: Sangeet, Nada, Swara, Shuddha, Vikrit (Komal,
Teevra) Sthana (Mandra, Madhya, Tara), Aaroha, Avaroha, Raga, Laya, Tala, Sam,
Tali, Khali, Matra, Avartana
PRACTICAL
1. (a) National Anthem
(b) Four folk tribal songs
(c) Four devotional songs
(d) Three patriotic songs
(e) Community singing (two songs)
(f) Identification of basic swaras
2. Aaroha, Avaroha, Pakad and Drut Khayal in the following Ragas: Yaman, Bhairav,
Bhopali with few Tanas.
3. Recitation of the Thekas of Teentala, Keharwa, Dadra and Jhaptal; keeping
tala with hand beats.
4. Eight Tala-Baddha, Alankars set to different Talas.
CLASS X
They : 25 Marks (68 Periods) Time: 2hours Practical : 75 Marks
THEY
1. Basic knowledge of the structure and tuning of Tanpura.
2. Knowledge of the notation systems laid down by Pt. Vishnu Digamber
Paluskar and Pt. V.N. Bhatkhande.
3. Definition of Vadi, Samvadi, Anuvadi, Vivadi, Alap
4. Brief description of Natya shastra, Sangeet Ratnakar.
PRACTICAL
1. Community Singing:
(a) Two songs in different regional languages.
(b) One Tage song
2. Aaroha, Avaroha, Pakad and Drut Khyal in the following Ragas: Kafi, Khamaj,
Sarang and Desh with simple elabations and few tanas.
Suggested Reference Books :
1. Kramik Pustak Malika by Pandit V.N. Bhatkhande
2. Rag Vigyan by Pandit V.N. Patwardhan.
(II) HINDUSTANI MUSIC (MELODIC INSTRUMENTS)
(Code No. 035)
THEY
1. An outline histy of Indian Music
2. Definition of the following: Sangeet, Nada, Swara, Shuddha, Vikrit (Komal,
Teevra) Sthana (Mandra, Madhya, Tara), Aaroha, Avaroha, Raga, Laya, Tala, Sama,
Tali, Khali, Matras, Avartana.
PRACTICAL
1. Proficiency in any one of the following instruments : (i) Sitar, (ii) Sarod,
(iii) Violin, (iv) Dilruba Esraj (v) Flute (vi) Mandolin, (vii) Guitar.
2. (a) The tune of National Anthem.
(b) Four Dhuns and four folk dhuns of different regions.
3. Aaroha, Avaroha, Pakad and Drut gat in the following Ragas; Yaman, Bhairav,
Bhopali with few Todas.
4. The recitation of Thekas of Teen Taal, Keharwa, Dadra and Jhaptal, taal
keeping with hand beats.
They : 25 Marks (68 Periods) Time: 2hours Practical : 75
Marks
CLASS X
THEY
1. Basic knowledge of the structure and tuning of any one of the following
insruments: (i) Sitar, (ii) Sarod, (iii) Violin, (iv) Dilruba Esraj, (v) Flute,
(vi) Mandolin, (vii) Guitar.
2. Knowledge of the notation systems laid down by Pt Vishnu Digambar Palukar and
Pt. V.N. Bhatkhande
3. Vadi, Samvadi, Anuvadi, Vivdi, Alap
4. Brief description of Natya Shastra, Sangeet Ratnakar.
PRACTICAL
1. Eight Tala-babbha Alankaras set to different Talas.
2. Aaroha, Avaroha, Pakad and Drut Gat in the following Ragas: Kafi, Khamaj,
Sarang and Desh with simple elabations and few Todas
Suggested Reference Books:
1. Sitar Marg (I Part) by Shri S. Bandyopadhyaya, Vani Mandir, Subzi Mandi,
Delhi-7
2. Vitat Vadya Shiksha’, by Shri S. Bandyopadhyaya, Vani Mandir, Subzi Mandi,
Delhi-7
3. Sitar and its Technique by Prof. Debu Chaudhuri, Avon Publishers, Shahdara,
Delhi.
(III) HINDUSTANI MUSIC (PERCUSSION-INSTRUMENTS)
(CODE NO. 036)
THEY
1. An outline histy of Indian Music
2. Definition of the following: Sangeet, Nada, Swara, Shuddha, Vikrit (Komal,
Teevra) Raga, Laya, Tala, Matra, Vibhag, Sama, Tali Avartana, Dugun, Tigun,
Chaugun.
PRACTICAL
To acquire efficiency in playing on the opted percussion instrument (Tabla
Pakhawaj) with special reference to accompaniment.
1. Ability to recite with hand beats and to play on the instruments the Theka of
Teen Taal, Keharwa, Dadra, with simple elabations.
2. Accompaniment with solo perfmance.
They : 25 Marks (68 Periods) Time: 2hours Practical : 75
Marks
CLASS X
THEY
1. Basic knowledge of the structure and tuning of the instruments (Tabla
Pakhawaj).
2. Knowledge of tala notation systems laid down by Pt. Vishnu Digamber Paluskar
and Pt. V.N. Bhatkhande.
3. Definition of Avartan, Theka, Lahera, Amad, Mohra, Tihai.
4. Brief description of Natya Shastra, Sangeet Ratnakar.
PRACTICAL
1. To produce crectly the basic Bolas-Ta, Dha, Tin and Dhin, Dha, Ki, Na,
Ti, Dhi, Na and Ti; Ti, Na, Dhi, Dhi, Ga, Tir, Kit, Tu, Na, Katta, etc.
2. Ability to recongise the tala of the composition being sung played on a
melodic instrument.
3. To recite the tala with hand beats and to play on the instrument the Theka of
Jhaptala, Rupak and Ektala with elabations.
Suggested Reference Books :
1. ‘Tal Sastra’ by Shri Bhagwat Sharan, Sangit Hathras.
2. Tabla Vadan Shiksha by Pt. Krishna Rao Shankar Pandit.
(IV) CARNATIC MUSIC (VOCAL)
(CODE NO. 031)
THEY
1. Definition of the following terms:
Sangeeta, Nada, Svara, Svarsthana, Aroha, Avaroha, Sruti, Tala, Laya, Alankara,
Sthayi, Graha, Dhatu, Matu, Sudha and Vikrta, Svara, Povaanga, Utharanga, Vadi
Samvadi, Anuvadi, Vivadi, Sama, Atita, Anagata, Anyasvara, Raaga
2. Brief outline of Ragalakshana of the following : Mayamalavagaula, Mohanam,
Kalyani, Malahari and Bilahari
3. Lakshanas of the following musical fms: Geetam, Svarajati.
4. Basic knowledge of the following Talas: Aadi, Rupaka, Chapu.
5. An outline histy of Indian Music, including the biography of Purandaradaasa
and Tyaagaraaja.
PRACTICAL
1. Community Singing:
(a) National Anthem
(b) Five folk tribal songs of any region indicating time of the year and
occasion with which they are related.
2. Voice-culture exercises f Sruti Suddha and Sthan Sudha, sapta tala alankaras
in Mayamalawa gowla.
3. Arohana and Avarohana of the following Ragas with brief Raga lakshana :
Mayamalawagaula, Mohanam, Malahari, Bilahari, Kalyahi.
4. Singing of simple Devernamas, Geetam, Svarajati and simple bhajans, to the
accompaniment of Tambura and Mridangam.
5. Rendition of Adi, rupaka and chapu talas.
They : 25 Marks (68 Periods) Time: 2hours Practical : 75
Marks
CLASS X
THEY
1. Basic knowledge of structure of the Tambura.
2. Outline knowledge of the 72 malakarta scheme
3. General understanding of Principles of notation in Carnatic Music using signs
and symbols.
4. Ragalakshanas in brief of the following ragas : Hamsadhvani,
Shankarabharanam, Kamboji, Hindolam, Abhogi
5. Study of the lakshanas of varnam, Jatiswaram, kriti
PRACTICAL
1. Community Singing: Four devotional songs, simple Naamaavalis, Bhajans
composed by the saints poets of India.
2. Ragalakshanas of the following ragas : Kalyani, kamboji, shankarabharanam,
Hindolam, Abhogi
3. To create proper sense of svara and laya through sapta tala alankaras.
Alankaaras in Mayamalavagoula and other simple scales.
4. One Divyanama kirtana, one Jatisvaram at least two simple kritis to the
accompaniment of Tambura and Mridangam.
5. One Adi tala varam is two degrees of speed.
6. Principles of notation in Carnatic music, illustrated with suitable examples.
(V) CARNATIC MUSIC (MELODIC INSTRUMENTS)
(CODE NO. 032)
THEY
1. Knowledge of the following terms :
Sangita, Nada, Svara, Svarsthana, Arohana, Avarohana, Aavarta, Sruti, Sthayi,
Graha Eduppu,
Dhaatu, Maatu Sama, Kaala Degrees of Speed, Suddha Svara Vikrita, Svara,
Sangati
Povaanga, Uttaranga, Vadi, Samvadi, Anuvadi, Vivadi, Atita, Anagata, Anya svara.
2. Raaga Lakshanaas Outlines of :
Mayamalavogowla, Sankarabharanam, Kalyani, Hamsadhvani.
3. Lakshanas of the musical fms geetam and svarajati.
4. Taalas : Aadi, Roopakam and Chaapu.
5. An outlines sty of Indian Music including the biography of Purandaradaasa and
Tyaagaraaja.
PRACTICAL
1. Any one of the following instruments :
1. Veena 2.Violon 3. Flute 4. Gottuvadyam
2. The candidates f instruments may be allowed to opt f community singing f
instrumental ensemble based either on the ragas from the syllabus light and
folk melodies.
3. Sapta Tala Alankaras in Mayamalavagaula.
4. Playing ragas in detail on the instrument as prescribed in They.
5. Musical compositions : Two geetams, one svarajati and one Adi Tala Varnam in
two degrees of speed.
They : 25 Marks (68 Periods) Time: 2hours Practical : 75
Marks
CLASS X
THEY
1. Basic knowledge of the structure and tuning of the instrument opted f
2. Outline knowledge of the seventy-two Melakarta Scheme
3. Principles of Notation in Carnatic music
4. Raaga Lakshana of Mohanam, Kaamboji, Abhogi, Nata, Hindolam
5. Lakshanas of the musical fms kriti and Varnam.
PRACTICAL
1. Playing of the ragas prescribed f They
2. Tuning the instrument
3. Musical composition : Adi tala Varnam in two degrees of speed.
4. Simple keertanams and simple kritis.
Suggested Reference Books:
1. Flute by Prof. Sambamothy.
2. Musical Instruments of India by S. Krishnaswamy.
(VI) CARNATIC MUSIC (PERCUSSION-INSTRUMENTS)
(CODE NO. 033)
THEY
1. Knowledge of the following terms:
Sangita, Nada, Svara, Svarasthana, Arohana, Avarohana, Aavarta, Sruti, Sthayi,
Graha Eduppu, Dhaatu, Maatu, Sama, Kaala Degrees of Speed, Suddha Svara,
Vikrta, Svara, Sangati, Povaanga, Uttaranga, Vadi, Samvadi, Anuvadi, Vivadi,
Atita, Anagata, Anya Svara.